The Devil Wears Prada 2 Is the Most Frightening Film of the Year
Two decades after the cerulean speech, the sequel arrives in a world where magazines, influence and power are no longer where the first film left them.
An editorial on modern power, brand behaviour, intellectual property, and market architecture.
Estd 2026
Founding Editor
Founder of Strategist’s Cut. Writes on brand power, culture, technology and the law that shapes them.
Two decades after the cerulean speech, the sequel arrives in a world where magazines, influence and power are no longer where the first film left them.
Fragrance and beauty let a fashion house sell its name to millions who will never buy the handbag, and fund the runway that keeps the name worth buying.
Augmented-reality try-ons cut returns and delight shoppers, while quietly collecting some of the most sensitive data a retailer can hold.
In a cautious market, the silk square is the rare luxury object that is both an heirloom and an impulse buy. Houses have noticed.
A generation of Indian designers is rejecting both borrowed minimalism and costume maximalism, and finding a vocabulary rooted in craft.
Ton society feared her pen. Modern defamation law, platform rules and data protection would have plenty to say about it too.
Personalisation promised to show everyone what they wanted. In luxury, it risks showing everyone the same thing.
Luxury clients expect their tailor to keep a secret. They expect the same of the CRM, and regulators increasingly agree.
Costume dramas have become trend forecasters. The sales data, and the search data, agree.
Why the oldest names in fashion are mining their past, and what newer brands can learn about building a memory worth selling.
Copycat designs are as old as fashion itself. The legal tools against them are newer, narrower and more interesting than most founders think.
Digital samples save fabric, freight and weeks of waiting, and change who gets to see a collection first.